A Brief History of WIT
Since 1986, Washington Improv Theater has adapted and evolved in myriad ways. What has not changed is WIT’s passion for sharing the creative collaboration of improv with DC, through performing and teaching. This timeline is a mere sketch of the rich and intricate story of WIT. Some dates are approximate.
WIT is founded under the direction of Carole Douglis. The company performs shortform and longform improv around Washington, including a well-attended and well-received improvised Shakespeare performance. Other players include DC playwright Renee Calarco. In 1992 the original WIT company disbands.
In 1995 Douglis, a natural born teacher, starts offering classes at SALSA (the Institute for Policy Studies) and a monthly improv workshop for the Dark Night Play Readers, a community outreach program sponsored by the Universalist National Memorial Church at 16th and S, NW. Associate Pastor Vanessa Southern is instrumental in making this happen. In 1996 Douglis begins conducting weekly training workshops in her home for students she has selected from her other classes, exploring the ideas of Keith Johnstone, Viola Spolin, and Augusto Boal. Mark Chalfant is among this group.
After a year of workshops, Douglis’ students present their first performance, in the basement of the UNMC. The show is game-based shortform improv. The excitement of performing and the response of the audience converts even the most reluctant students into players. The performing company is reborn as a consensus-based collective. Tyler Korba, Kate Wing, Justin Warner, Debra Shifrin, Yvonne Doerre, Erica Mott, Beth Beisel are among these players.
In 2008, WIT hires managing director Topher Bellavia as the company’s second full-time staffer. The company remounts POTUS Among Us under Chalfant’s direction. iMusical becomes an official company ensemble of WIT. Polygamy wins FIST. By 2009, WIT’s Fighting Improv Smackdown Tournament has grown to feature over 120 improvisers vying for the championship; that honor goes to Not Mad, Disappointed.
In 2010 Murphy McHugh joins the staff as Program Director. FIST has over 130 players. WIT launches its Harold Teams program in April. The Catalogue for Philanthropy selects WIT as “one of the best” DC-area charities for 2010-11. WIT presents iSchool Musical in the Capital Fringe Festival. In 2011 WIT hires Rachel Grossman as managing director. FIST has over 140 players; Meanwhile, Back at the Ranch wins. Harold Night moves to Source. WIT conducts a 2-week series of shows at Woolly Mammoth Theatre. WIT Films’ entry Relative garners Best Film and Best Acting Ensemble awards at 48-Hour Film Project.
2013 WIT’s classes program passes 1,100 enrollments. Dan Miller joins WIT’s staff as External Relations Director. Dan Milliken comes aboard as WIT’s Administrator. FIST includes over 200 participants; Thunderball wins. WIT presents storytelling extravaganza Lore during the Capital Fringe Festival. WIT hosts the inaugural District Improv Festival at Source. The Harold Team program expands to four teams.
2014 FIST features 73 teams competing – Barely Runcible wins. WIT hires John Windmueller as its first Organizational Training Manager. WIT company ensembles all present premiere productions for summer series BINGE. WIT receives its second Upstart grant from the DC Commission on Arts and Humanities. The Catalogue for Philanthropy selects WIT as “one of the best” DC-area charities for 2014-15. Classes enrollment surpasses 1,100 students. Melanie Harker becomes WIT’s Education Manager. WIT’s free workshops program, Improv for All, expands to deliver Improv in Every Ward. WIT offers its first weekday class and its first satellite class (in Takoma Park). Improvapalooza expands to two weekends. WIT hosts the second annual District Improv Festival at Source.
2015 Jonathan Murphy joins staff as Education Director. Ninth annual Fighting Improv Smackdown Tournament has record breaking audience of over 3,500 fans and Going to the Movies Alone took home the title. WIT@Work reaches over 1,400 participants through 27 workshops. Class enrollment of 1,316 students. Our total audience for performances grew 10 percent over the prior year, to a record 14,500. Harold Night expands to two shows per night and program grows to five Harold teams. WIT debuts The October Issue, directed by Jaci Pulice, as part of the Womens Voices Theater Festival; its all-female cast improvised a womens magazine featuring “cover girl” interview from notable DC women. WIT hosts a residency from Minneapolis’ The Theater of Public Policy. With help from the DC Commission on Arts and Humanities’ East of the River grant we offered three fully-enrolled 8-week Level 1 improv classes at Anacostia Arts Center.